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Aesthetics First Faceup w/Airbrush and Eyelash Critique

Jan 20, 2016

    1. Hey everybody! I can't say this is my first faceup (It's more like my 6th or 7th I think) but I just got an airbrush and I'm real excited to get better at using it. I've got a practice head I bought off Ebay years ago and did a little bit of experimenting with her (mainly the ears for a future faceup on my Chrom). The main medium I used was Gouache. It was the first time I've really used it, but I loved how absolutely forgiving it was with mistakes. Acrylic just isn't that sympathetic haha. I've also got Sennelier pastels.

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      The thing I struggled with the most this time was eyelashes. I feel like I'm just not getting the right consistency with them. I've heard people say "start out with brown, layer it, then use black" and that's what I did, but I'm not sure it looks right. That's probably partly due to my own strokes and the fact that I didn't get the shape I really wanted, but I think it also looks... A little chunky I guess? Am I just not cutting it enough? I've got a 100/0 Camlon brush for hairs so I don't feel like I can blame this on the brush, and I ended up having to use black acrylic for the last layer because I couldn't get the black gouache and water to mix quite right.

      Any advice and criticism on anything at all would be greatly appreciated. I really want to improve in any way I can.
       
    2. She's very pretty! I'm not that good with eyelashes myself, they don't look bad. I think the black acrylic is the culprit, maybe cut the brush more and see what results you get. For me, the acrylic always spreads and makes the lashes too bulky but I have yet to buy a tiny brush. I think they fit her overall face-up pretty well though.
       
    3. Thank you @Fawne! :chibi I'm gonna have to play with the gouache a little more to see if I can make it work better next time.
       
    4. I think your brushstrokes look great, it's just that there are too many. I think if you had done just the black it might look better, in my opinion, and might help with the "chunky"-ness if I'm understanding you correctly. Then maybe add some brown pastel to the bottom lash area to give it that brown look without adding more lashes. I hope that makes sense, your face up is still very lovely nevertheless, you did a wonderful job!
       
    5. @JenniferCatherine That makes sense. I did go a little crazy with the brush strokes after I started, hehe. The brown pastel sounds like a great idea, and it gives me more thoughts to make the next round better. QuQ Thank you for your kind words and advice. They are very much appreciated.
       
    6. I really like the style of this face-up! I think the black on the ears is really interesting...were you wanting to be a smooth gradation, or more like it was "dipped"?

      As for your question about the eyelashes, they might have meant using the lighter color (brown) to draw your guidelines then coloring over that with black (building up the color gradually). As you mentioned they seem a little thick for bottom lashes. It's also hard to tell from the photos, but you might consider leaving a blank "waterline" area between the eye opening and the lashes to give the illusion of realism (but that's an aesthetic choice I suppose).
       
    7. Thank you, @fourmist ! I had originally intended for it to have that "dipped" look, but I started adding black pastel too because I felt like the sides were uneven then I kinda went crazy, haha. I think if I had done more layers with the pastels it would've been more even but it was an experiment and I did figure out how to get my desired effect.

      I do believe you're right about the brown. I bought a burnt sienna color as sort of a brown base because I was having a hard time mixing basic colors to get what I want. Next time, I think I'll mix some white in so it's not quite so stark against the fleshtone. My next faceup is on a WS head so I'll definitely need to dumb it down. I'll try to stay off the waterline to see if that gives me more of the look I'm going for, but I'm still trying to figure out how to get optimal strokes. My hands get to shakin' shortly after detail work starts, and so I tried quick strokes to keep from screwing up. Maybe I just need to burn some incense, have a glass of wine, and take a chill pill so I can be more careful. Thank you for the insight! I think this will help me a lot.
       
    8. *grin* that sounds like a great idea, as long as you stop at one glass ;) Otherwise your doll might end up with a tattoo on her face and you won't remember where it came from. I know what you mean about your hands shaking and feeling frantic. When I start art projects, I always get that feeling too of wanting to be done and I tend to rush and then overdo it, so I'm not a very good model of what to do. :P
       
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    9. @fourmist No promises on one glass. :wiggle Things should be better when I'm working on my actual dolls. I think I'll be a little more careful with something I actually plan to take out to meets. I'll be sure to post in the critique thread again afterwards.
       
    10. if i might ^^ first of all i love your style here the way you have the eyelashes sort of clumped into groups is really intriguing and different from most face ups i have seen. also the bit of black in the corners of her mouth as just so so cute ^^ and i adore the eyebrows and how you made the entire eyebrow seem to have individual lines for each hair by only using a few well placed strokes to imply the rest of the lines. it gives them a far softer look and using implication instead of drawing every line also works well for the size of a BJD as this the looks that would come across naturally.
      the one thing i have noticed after reading through this post is that you've been talking a lot about feeling like you may have gone overboard in some areas. this is an issue i often have myself most often when i am being impationt and going to fast. i often combat this issue by getting the basics of what i want done on a project and then taking a break for a while then comming back after working on something else. this proces puts the project into perspective and can sort of allow me to see it through new eyes as it were.s
      Again I adore the style you are creating and would love to see more of your work in the future ^^
       
    11. Something I really like doing is going in with white in the end to break up the lines and make the eyelashes look more sparse. :D Do you use flowaid? That also helps a LOT in getting thinner strokes.
       
    12. She's looking great! I especially like the blushing and eyeshadow you did on her. And I completely agree, acrylic is a pain in the butt...

      For the eyelashes I think going in different directions helps a lot! (make sure the eyelashes aren't exactly parallel to each other) It helps break up repetition and "clumping" :) As for your strokes I agree with @Pannytheangel, using flow-aid can be a miracle worker. Just a drop or two in a pea sized amount of paint can change the entire consistency. What I like to do is dip my brush in the paint and then do a few strokes on a piece of scrap paper first to get rid of the extra paint and that helps me get those really thin tapered lines. Dip and repeat! And you probably know this already but a lot of those fine lines is just control and experience, practice that kind of flicking motion with your wrist, it gives you a much more consistent line and I'm a firm believer of confidence transferring into your brushstrokes. Good luck!
       
    13. I'm always impressed when someone uses an airbrush for face-ups- I am envious. I can see, as mentioned before me, about leaving the bottom waterline open to create separation. Your eyebrows are just brilliant!! Also, sometimes when I have to do really fine work, I use one of those gel mouse pads to rest my wrist and stabilize it. Otherwise I start doing stupid things like make lines where they don't belong...