I'd like to keep a progress journal of my faceup attemps, even though all beginnings are rough! But since all good things come with practice (as with all things art), I really want to document how it goes and my findings just to re-read later or maybe have some people along for the ride xD Start of the Faceup project With my DV Olivia (MSD) arriving and my old practice head (Onlydoll Yifeng, SD) here, I decided to embark on the journey! Apologies for photo quality, my phone isn't exactly the best at it... Removing a 10 year old test faceup Way back in 2015 I did my first faceup attempt on the Yifeng. I only have bad pictures of it but I want to show it here anyway! it was a faceup done with MSC, chalk pastels and watercolor pencils. It was really difficult to remove but some good scrubbing with rubbing alcohol did it eventually. I nearly panicked! Still missing a toothbrush to really get into those nooks and crannies, but it is on the way. Testing brush-on sealant (Liquitex Matte Varnish) It is currently cold and rainy where I live, and humidity is pretty much 65%+ throughout the year. As this isn't ideal for MSC I decided to try out the brush on sealant! I had high hopes as relying on good weather is not great for my impatient self. Here's my verdict and (oh god) results. I did test the sealant on the headcaps before going through with it! And I went a bit wild because I was testing things, mostly acrylics on the Yifeng head and watercolor pencils/chalk pastels on the Olivia head. I don't have any lashes (or glue for it) yet so without it for now! Pros Works during any weather, can dry inside, dries pretty fast (I still let the base layer sit for a day) Sponge + Brush to get it on didn't have as rough a texture as I thought. I would be okay with slightly grainy skin texture! Easier to remove than the 10yo MSC faceup, sorta peels off like a second really fine skin (i did do a lot of base layers to be safe, like 3-4 and they're not super thin) Seals Acrylic colors really well with zero smudging (assuming they dried) Unfortunately, the upcoming cons definitely match what I have read and personally I feel that they ruined my work more than MSC ever did ;; They look better irl since they're smaller, but still not quite what I am looking for. Better than leaving them blank but...god I forgot what it's like to be a beginner artist at something hahah~ Cons Doesn't seem to hold chalk pastel pigment as well Definitely rougher/more noticable than MSC and more prone to collecting dust It's easy to smudge all your chalk pastels and watercolor pencil work!!! This might be a skill issue but no matter how careful I dabbed, these two mediums smudge and look worse than before the sealing attempt. All images here Conclusion: Brush on sealant works, but I think I want to test MSC in my weather conditions (and maybe different sprays as well). While it can work for some artists, I feel like it makes my work even worse than it already is by smudging it and altering the colors ,, I preferred the unsealed layers a lot, and spray on sealants are basically made to not smudge watercolor/pastels. Next, I will spray MSC in too much humidity and see how it goes because I am an impatient noodle! x'D
Those look lovely! I understand what you mean about the liquitex texture, though - it's a bit of a learning curve to work with if you are used to painting on layers of MSC. I've found using a different sponge (I got better results with a pack I bought from Rossmann or DM than with cheap Amazon ones) and dabbing very very lightly makes the "grain" smaller and easier to use with pastels and pencils. It can also be airbrushed on if you enjoy the spray texture more. (Don't buy the spray liquitex matte in a can, though, there have been reports of it not removing well from resin)
@cobaltconduct the texture would be okay if only it didn't smudge my watercolor pencil details ,, i had some lines I was quite fond of but they all smudged completely or vanished. I might still grab some better sponges still if i ever walk past DM or Rossmann haha~ I might try get a box with ventilation for the spraying, since german weather is...well. Would be useful if i ever want to attempt airbrushing too. And thank you! Man I have a lot to learn and improve on in the non digital art sphere! ;U; (Also, your faceups are so pleasant to look at! They are actual quality faceups jfdhjfsfj)
When I use watercolour pencil, I only dab on the lines once and then cut the transfer off the sponge so it doesn't smudge further - sometimes it works better than the other times but if you're fond of your pencil work it's still saveable For pastels, try doing lighter layers and sealing them inbetween to build up intensity - when the grain is "too full" of pigment, it tends to stick on the sponge and get clumpy but if it's light enough, the sponge should stay clean-ish. Faceups are just the matter of practice, you'll be good in no time!
I think you did a great job, especially considering the limitations of the medium and the long time since you did it last! I the weather is the main concern, perhaps look into what other alternative sprays are available to you? I've had good luck with an ordinary matte acrylic varnish sold to use as top coat for general hobby work and paint jobs. Check you local hardware stores and paint stores. If you are unsure about a spray you've found, ask in the massive "All About Sealants" thread. Link to the product description and contents and someone can probably help you figure out if it's safe to use on polyurethane. There may even be others who have tried it before. You may be able to find something that fits you circumstances better. I live in Sweden, so I have similar problems around weather. Winter is dry, but often too cold for MSC and summers are often humid. I still use MSC as my prefered option, because it's so nice to work on, but it is limiting and it is nice to have other options. Otherwise, perhaps consider to skip the watercolor and use acrylics for you line work? It does have a bit of a learning curve, but it can give a lot of control to the lines and won't reactivate with water. I hope you can find some solution that works for you.
@cobaltconduct oh that sounds reasonable, I admit my impatience may bring me to doing stronger layers that smudge rather than going in steps. it may be worth a re-try especially with some better sponges! I will definitely keep trying cx @Lillith Thank you, it helps hearing that from others! I also heard that some other sprays are a bit less finicky with it, so I might try get some other things and see how it goes. Useful thread I will check that out as well! I could probably practice acrylics more but that's what I tried on the blue faceup and I really don't like how it looks ,, I have never been good at handling paints/brushes in traditional art, I am more of a pencil/marker person. If nothing else works out, I will bite that sour apple and practice more though xD
Like everything, acrylics have their pros and cons. And not all paints are created equal, either. Try experimenting with paint consistency, diluting it with water or a thinning medium. This works best with highly pigmented paints. Paints sold for figure painting such as Citadel or Army Painter are usually nice and don't cause build up or brush marks. Just like with the blushing, you don't have to do everything on one step. As long as the paint isn't too thick, you can lay down a base layer and then add shading and highlights as needed, letting the paint dry between layers. It is also possible to add pastel shading underneath or on top of acrylics as long as you lay down a fresh layer of sealant in between.
Another go with MSC! My dad is a legend and has built me a airbrush booth that sucks the air outside. This means I can spray in my work room no matter the weather outside, and leave the circulation on even when the heads dry! Naturally I had to give it another shot. Some thoughts and notes on this try before I get to images: the watercolor pencils not smudging really helps! I am pretty happy with the blushing. Watercolor pencils - because I can't use them well with water, they are still grainy (might attempt the eyeliner with acrylics or pencils WITH water next time). This doesn't really bother me greatly though, they still look pretty cute irl. I need to practice not getting the head dirty with flying chalk pencil pigments (woops) Want to try a different way to eyebrow. I don't really do the hairs well, so maybe next time I'll just do only pastel eyebrows and see how it looks. In general, I hope finer lines will come with practice... Idk what happened on the Yifeng lips I couldn't see it at all in the lighting woops I think I will let them have these faces for a while now. At least until I get to restring Olivia (scary) and can see her head on a body, maybe even with the wig intended for her! All images here
Those turned out very cute! I'm glad you found a way to use the sealant you enjoy more You can go over the watercolour pencil lines with a wet brush to make them less grainy but you are definitely right that lines take the most practice with faceups. Some recommend practicing thin brush strokes on an egg because the shell's texture is similar to resin, if you don't want to redo the faceups just for learning to make lines better
@cobaltconduct thank you, again ;A; I'm really glad too, this is easier on me for now. The egg idea is worth a try, i might also use the practice head headcap cause why not haha. I will give the wet brush over watercolor a go too when I am at it o7
A faun Lady arrived! I got my resinsoul Ju on a Shan body and had to give her a quick first faceup attempt! I quite like her body but it is in dire need of restringing (very kicky). Still not great at the faceup process but it's cute so for now shes okay. I might find her another head sculpt eventually because it's not 100% what I envisoned! All images here