I use Apoxie Sculpt. It cures over several hours due to a chemical reaction between the 2 sides. When you buy the clay it comes in 2 separate containers. By mixing equal parts of the sides to each other you begin the curing process. When it is first mixed it is very sticky, like bread dough can be. The best thing for this is to mix it and then leave it for about 15 minutes. Go and thoroughly wash your hands with water so that you don't have any residue that the clay will want to stick to. Before the apoxie is cured it is workable with water. Makes clean up very easy. After you have a cured piece and you sand it down, carefully store the dust in a container. You can use this in later sculpts as a way to keep the apoxie from sticking to things you don't want it to stick to- much like you would add flour to bread dough. It might even be a good idea to make a little piece to cure specifically for this purpose, and when it is completely cured sand it on fine sand paper so that you have lovely soft dust to use. As the clay sets up it gradually hardens. This can work to your advantage. In it's initial sticky stage you can stick it to anything- ANYTHING. It will grab an armature like nobody's business. As it hardens, it doesn't shrink. There is no loss of moisture so there is no loss of mass. There is no cracking. Lets say you have to make something that is rounded- like the back of a head. And you want the head to have an even thickness. You add your modeling/ non drying clay to the existing front and build out the roundness of the back of the head, and then set it aside. Then you would roll out the clay, making sure to dust it so that it doesn't stick to anything (i don't recommend the use of a pasta machine- unless you want a non moving pasta machine). When the apoxie has cured to where it's supple, but not leather hard- then you can drape it around the modeling clay. Press it along the edges and then cut away the excess with a scalpel knife or hobby knife (whatever). Use your fingers with a bit of water on them to smooth the apoxie where it comes up against the sides of the head. If there are spots where you need reinforcement, you can always come back and add successive layers to strengthen. You can smooth apoxie just like you would air dry clay. When it isn't cured use water on your fingers. When it is cured use sand paper. I take a dremel to mine all the time. I have carved incredibly small pieces like fingers using a dremel on the apoxie clay. Think of the size of the hands on your average Barbie doll. Imagine taking a dremel to it if it were made of paper clay. Or polymer clay. You can do it with apoxie sculpt. It will take incredibly fine detail. If you are making something that you are going to eventually mold and recast in resin, then this has the strength to do it. Anyhoo That's my story and I'm sticking to it
Thank you VERY much for this!! I just bought some Apoxie Sculpt the other day (I've decided to try to use it for my kitsune head -- I used Super Sculpey to make Mau, but I prefer a non-baked clay, especially since hollow Sculpey can be pretty brittle), and this is going to be the first time that I've used it -- so this is perfect! *grateful hugs* -- Andi
Perfect! Thank you fairy. You have heartened me. I have a tub of it in my freezer waiting to be used. Susan
I have about 4 tubs in the freezer and one set out that I've been using every day, I love the stuff, but I on't feel comfortable using it for things like fingers and toes, becuase I get stressed and worry I will run out of time. However this is because I am not very experienced with those parts and haven't really worked out a technique yet. I do love sanding and drilling/dremelling into it though!!!
You can also mix acrylic paint in with the white part of apoxie sculpt, before mixing it with the other part. It takes color pretty well also to speed up curing you can put it in a warm oven,{not hot} and it will speed up the curing time -- this was told to me by a person at Aves company. I haven't tried it as of yet. Aves Epoxie sculpt does tend to droop or settle untill it starts to firm up a bit, Aves Apoxie Clay doesn't settle and takes even better detail than the sculpt..both cure under water. Keep your hands wet while working with either, as it will keep it from sticking.
You're very welcome, Andi You said you wanted a tutorial Hope I didn't give you too much! So does this mean you're going to make a fox maiden? How freakin cool is that? For the big dolls or for the tinies? I want to see you do tiny heads * hugs right back * Haul that tub back out woman! Now that I know you want to make your own doll I am going to be a pain in the beep With four tubs i think you can get away with a little trial and error, twigling just start out with small amounts. Don't mix up a whole bunch at once because you'll just feel pressured to use it all up. Remeber that you can build up over time. Right now I am making a horned crown for Oberon. I know what the basic components are of the end piece. So right now I am making the basics, letting them cure, and then I will start incorporating everything together over the next few days. You can do the same with hands. Make the fingers separate from each other. Make little sausage shapes, let them cure for an hour, then go back and bend them into the position you want them to be in. When they are cured, go back in and add details by carving, sanding, and dremeling. At the base of each finger leave a bit of a tail that you can stick into the clay of the palm when you make it. The fingers are easy to position in the soft clay when they are cured- you don't have any inadvertantly mushed fingers. Plus, when you make the fingers, you can make 2 at a time so that you can make sure that the size remains consistent. If you find yourself with leftover clay, roll it into long snakes. These can be used as bones for armature. Do it in straight, uniform thickness on each one. Vary the size of the thickness between each rod so that you can have a handy supply to grab from if you need them. I have a glass on my table that has all sorts of lengths and thicknesses. I can use them for toes, fingers, arm and leg bones. The other thing you can do is take leftover clay and press it into a drinking straw which will give you a very uniform thickness that is as straight as you can get. Once it is cured it will come out easily. Also, take some clay roll it into even sheets, and wrap it around a straw so that you can have tubes for hollow limbs ready made. I talk too much! I'm sure everybody fell asleep about 3 sentences in I hope this is a help. I can't wait to see what everyone does with the apoxie sculpt
Hey Catdancer I've used both and haven't seen an appreciable difference in detail. I would hesitate to use too much water since it can actually erode away detail. Keeping your hands clean with periodic washing, and using the sanding dust is more than enough to keep the clay from sticking to your hands. The Apoxie sculpt does slump at first. That's why I recommend mixing it and then leaving it alone for a bit. If you let it firm up a little you will find it much easier to work with. Unless you want to stick it to something, in which case you should take advantage of that characteristic by sticking it where you want it immediately. Then leave it for a bit so that you can come back when it is better behaved and you can begin getting it to do what you want. I haven't added paint to the clay yet. I'm not sure about how much to add, and I'm a bit of a chicken about it Have you done it? What ratio paint to clay did you use? Do you have any pictures? I would love to see what you were able to do with this technique
Thanks for the tip, fairy!! That really helps, I think I will try it as I haven't really been happy with using sculpey for hands and feet — too brittle. One of my other main concerns when sculpting is damaging one part while working on another, but by sculpting the parts (fingers) separate I won't have to worry so much about it. I do use acrylic paint to tint my Part A sometimes, it works great! I bought so much because it was cheaper when shipping to Australia. In summer I put my pieces in a black cardboard box with a lid (it was souldoll box they sent shoe and clothes in) in the sun to speed up curing, and in winter i put them on or in front of the heater.
Never too much!! I'm taking notes!! ^_^ (Love the tip about the fingers, I'm going to keep that in mind!) Yep, the next project is going to be a kitsune-head . . . not sure if it'll be a maiden (I'm going to *try* to make the neck opening gender-neutral, since this will be a larger head and I hope I can get it to fit on male bodies and Volks necks as well as CP/DD/Obitsu necks), but we shall see! *eagerly awaiting the arrival of my tub of Apoxie Sculpt* -- A
Yes and no, its the same principle, but has a longer working time, less odour, is non-toxic and comes in several colours aside from white which can be used to dye with acrylic paints. It also comes in a larger packet than plumber's putty, and is possiby more cost effective if you use large quantities. I think as it is made with sculpting in mind rather than a quick-fix-gap-filler, it is easier to work with in its various stages. Before I came across it, I tried Milliput and some auto-body putties and they are just not the same, even Citadel Green Stuff putty I was not as happy with as I have been with Apoxie once I started using it and getting to know its qualities. The longer working/curing time makes a big difference!
Thank you so much Fairy. I have just ordered a small pot to try out. Your tips etc are going to be a great help I'm hoping it can be sanded smooth enough that I don't need to make waste molds for refining my work? It's so hard to see tiny imperfections when using Sculpy. Thanks again for sharing
Just thought of something!! Would talc work as well to stop the Apoxy from sticking to things you don't want it to stick to?
Dur... I replied to my own question. For those looking for Apoxy in Canada: http://www.sculpturesupply.com/ A question Is Apoxie Scult or Clay better for making dolls? Has anyone tried either one? What's the main differences?
I have tried both, and they are similar from memory, but the clay wouldn't take the tinting with acrylic paint, and doesn't come in as many colours. It's worth downloading the product data sheets for both and reading through to see which will best suit your purpose. I prefer the Sculpt.
Hi Kaye I love sharing techniques with people. Means I get to listen to the sound of my own voice I think it is entirely possible to make originals that you don't have to do any extra refining on. You can smooth out a ton of surface imperfections with water in the uncured stage. I don't really jump around in sandpaper grades when I do the final sanding after it's cured, mainly because I want to have extreme control over how much surface material is lost. I mostly use extra fine and super fine sandpaper to do the last work on smoothing. The other thing I've noticed with apoxie sculpt over polymer clays and paper clays is that the material itself is denser. What I mean by that is that with say Sculpy- you can sand it, but it seems to uncover more problems than it fixes (lots of trapped air bubbles). With paper clay the problem is that the sanding process can really rip up what you're sanding. I think that the final cured product is pretty close in texture to resin. I don't even know if that makes any sense. My ability to articulate any clearer is leaving me What I'm saying in a very roundabout fashion is that it is very easy to find the surface imperfections and just as easy to deal with them. Glad to see you trying it. I'm interested to see what you get it to do I've never used it so I really can't say. You can always call the manufacturer. They are very nice people and helpful over the phone. I use the sanding dust to minimize waste of the product overall. It just happens to work well. My worry using something other than the sanding dust would be that it might affect the surface texture once the sculpt is cured. Let me know how your experiments go. I'll be curious to see. Don't be so hard on yourself! I prefer Apoxie Sculpt, other people prefer Apoxie Clay. I would say the only way to answer that question is to try them both out. I think Apoxie Sculpt is the best material to make dolls out of, I really do. Especially dolls with as many moving parts and that get as much handling as a BJD does. It is unmatched in strength and durability. I didn't know that the clay didn't take the tinting. And here I am puffing myself up like I'm an expert or something!! I bow to your superior product knowledge Twigling (another awesome online name).
I'm no expert by far, dear fairy@changeling....... When I tinted the clay it seemed to change colour a little, and when sanded the colour was completely different inside. My partner brought up an interesting point about using apoxie dust as "flour", as the sandpaper used to create the dust does shed grains as you sand, which mixes in with the pure dust. Also, do you find that even though the stuff looks really clean when you start mixing it, and your hands are clean, you still get dust and hair and small spots in it?? Also I find that the white apoxie once cured does tend to yellow quite quickly — I don't know if this is due to my handling the pieces, or exposure to heat as I cure the parts on the heater. I does sand off though, and definitely not a problem as I will be getting molds (sp? moulds) made and parts will be recast in resin. Finally I gotta thank you again for the tip about sculpting in sections. I broke off the Sculpey toes on purpose and started over with apoxie. I do one toe at a time, and work on it a little bit in the various stages of curing. Then when its hard I can sand and reshape and carve where needed — just like I've been doing with the bigger pieces. I guess I was just scared of the smaller details... I have noticed when looking at other companies feet that there isn't all that much detail, but I use my own feet as reference and tend to add a bit too much, perhaps. I am looking forward to a break when I finish the feet and other leg parts. I want to do some sewing before I got back and refine the arms and work on the hands, but now I feel much more comfortable about how to go about it.
Glad you brought this up since I completely forgot about this. You do get that with the coarser sand paper grades, not so much with the finer grits, and not at all with the dremel bits. I have found some inclusions in the cured apoxie from time to time when I haven't been very careful about the grit I used. For the most part I only keep the dust I make when I use the fine grit. Again, I don't have a problem so much when I use the fine dust. I sand pieces and then get it into a container right away. I also am pretty compulsive about keeping my desk clean and clear when I sculpt. However if you were to look very closely at Oberon's face you would see 2 specks above his mouth on the left side. The white does have a little bit of a yellowing problem. It does sand off easily, but it hasn't been a concern of mine since this is just the first step. The heads I sculpt are not meant to be an end product. If someone were to make a doll out of this and wasn't going to make resin copies, but have this be it, then I assume that they would want to paint it anyway, since the color isn't the most attractive (to be honest). Some would argue that you could mix up a flesh tone with the colors, but if your ratio is off by even a little bit, then each time you mix up a batch to work with you're going to have color fluctuations. End result being an uneven skin tone. So if anyone does want to use this for a OOAK doll, they will definitely need to paint it. YAY! That is sooooo brave of you! I don't know if I want people to go take apart their sculpts but I am glad that you have a renewed sense of purpose I tend to niggle over details too. Then I second guess myself over just how much detail is really necessary when I see what other artists or doll companies do. I do know that there are a lot of people who will fall in love with a doll because they fall in love with expressive hands. So it's that balance that you have to strike, otherwise you find yourself taking months over a foot I'm so glad I was able to help! Now you have to get up some progress pics of your work. Do you have anything up that I can check out?
I promise as soon as I have ten toes WITH nails I will post pictures on my LJ (twigling.livejournal.com). Also about the variance in skintone if making the finished product with Apoxie: mix the skintone into a large batch of part A, and mix small amounts with part B at a time, that way the colour should be consistent.
At some point I might have a go at sculpting, ( still fairly new LOL)...and this is very useful... I would like to ask though, what resin exactly do you use for the next stage of casting,( I've only ever been aware of the clear resin that has to be mixed with a hardener, like plasticraft,and it seems to be a right pfaff!) Oh do you have pics too by chance? quote: Lets say you have to make something that is rounded- like the back of a head. And you want the head to have an even thickness. You add your modeling/ non drying clay to the existing front and build out the roundness of the back of the head, and then set it aside. Then you would roll out the clay, making sure to dust it so that it doesn't stick to anything (i don't recommend the use of a pasta machine- unless you want a non moving pasta machine). When the apoxie has cured to where it's supple, but not leather hard- then you can drape it around the modeling clay. Press it along the edges and then cut away the excess with a scalpel knife or hobby knife (whatever). Use your fingers with a bit of water on them to smooth the apoxie where it comes up against the sides of the head.
That's a good idea I wouldn't have thought of that. I think of mixing things with this stuff and it's a foregone conclusion that you have to DO IT ALL AT ONCE! I need to relax with my work sometimes Take a step back and mellow out I'm going to have to check out your live journal now! I have a partner who is doing the resin casting for me. I tried it once and wasn't all that successful. I'm not great with the whole being 'exact' thing, so I let someone who isn't bad at it do it instead. I have pics of the head I am working on if you check the thread about my doll Oberon. I don't have any pics of my process if that's what you're asking.
Thanks again for this tutorial!! I tried Apoxie Sculpt for the first time today, and my kitsune head is coming along well -- I'm REALLY pleased with the "slippy" aspect of it, especially ^_^ I'd missed that benefit of working with kiln-fired clay when I was using Sculpey, and it's SO nice to be able to wet my fingers and smooth out the surface!! Thanks again for writing all this down! -- A
This is a great tutorial and I really appreciate the extra pointers that people are adding.I keep sending people here for information! Susan
hey, i'm new to this apoxy stuff (haven't bought any yet but I plan to use it), I was wondering why you have to keep it in the freezer?
The instructions on the product label say that you can extend the product life by refrigerating or freezing it, & that it thaws without compromising the product. I only know this because my pound just arrived - and this whole thread has been printed out & is in my project notebook!
It's completely freeze/thaw stable. Without freezing it has about one years shelf-life, so I have one set of containers out, and the rest in the freezer; but then I use the 2lb kits. If you don't freeze it, and let it sit out for a year or more it will start to get hard, but you can try to soften it by putting the material (not the container) in a plastic bag, or even double-bag it and hold it in hot water from the tap, then knead it till it goes soft. If you keep it in the freezer it will thaw/defrost over night whenyou take it out. Really it depends how much you buy, how much you use it and how often, so use your own judgement.
The plumber's putty I've used never hardens. People use it for setting eyes for that reason. Maybe what you are talking about is a different kind?
does it take to mold making and casting well? I'd love to use epoxy sculpt for my doll but I could swear that I heard somewhere that it dosen't cast well?
I have used epoxy clays for sculpting for years and have never had one problem making molds from it. The strength of the clay almost guarantees that you will be able to take the pieces out of the mold without damage. You can't say the same thing about Sculpy.
A doll that I sculpted had some molds made for future casting, and I was told that even the tiny bits, like individual fingers, were very durable. My friend had been worried that the ears and such might break during the molding process, but no problems occurred. Also, there is some yellowing with the white. I don't know about the super white apoxie sculpt. I'm about to get some so I will find out A project I recently completed was a resculpt on top of an existing doll. Since the color of the apoxie was so markedly different from the original doll I had to paint the whole thing. The apoxie sculpt took the paint beautifully. When I had finished I sprayed the whole thing with Mr. Super Clear flat and brush strokes disappeared. So that is another approach to the apoxie sculpt.
WAUGH, this gives me HOPE! D: i was considering using air dry clay to possably sculpt a furture doll but this seems like a perfect alternative @_@ you mentioned that the end texture was similar to resin, and i have to ask im much too impatient to sand those pewny little details in ( im thinking toe and fingernails ) and im horribly unskilled with a dremmel so i've taken to using an exacto knife for mods, as the resin will let me shave off very thin slices of material, or cut little chunks out, and im wondering if cured apoxie will do that too? or if one version will do it and another wont ( say sculpt vs clay )
I use sandpaper, extracto knife and ceramic knife to do most of my sculpting. I do some rough work while the clay is soft, but all the detail at least 12 hours later when it's gone completely hard. You can definitely take chunks out of it, but it will behave a little different when you try to take thin slices out, because it is not as flexible as resin, but it can be done. I Love using my cera canna knife for that sort of thing though... Volks sells them for seam removal, but they are great "dry" sculpting tools as well. I have a healthy respect for sharp blades, but they ceramic knife will not cut me, so its very safe to use.
@_@ awesome hnnn, may have to coax the rents into buying me a big tub soon, if only to use for modding, maybe i'll experiment with little heads oh, and has anyone tried sticking it to styrofoam perhaps? most of the jap doll tutorials have them using styrofoam for their bases and i like the looks of using that much more over tin foil
I made a styrofoam core and covered it with plastic wrap when I made Sharmista's body. After the initial layer of Apoxiesculpt cured, I scraped out the foam. Worked wonderful. I am doing a similar thing with the arms and legs, only with foil instead of the foam. I use a half round file to smooth out the basic shapes on the body and limbs. If you take long strokes with it running the length of the part, you can get wonderfully smooth curves. Well, smooth after you go over them with sandpaper.